“EXODUS” — a curated art gallery celebrating movement, memory, freedom, and expression through the work of @hamptonboyer , @dorismadman @_dkane @earl_mack @raintheneo @footagebyfamefilms , and @ergot._ .
Curated by @on.go.dunman
Hosted by @c.deloatch
Documented by @farnorth.mid
Sounds by @lexlucent @lovejkoure & @djflood_ .
Sponsored by Priority Infiniti.
Graphic design by @raintheneo
Join us this Juneteenth at Selden Market for an evening of art, music, and community.
Communication is a key professional skill. This session focuses on
sharing your story in a clear, concise, engaging, and memorable way. Includes an “Ask Me Anything” panel with Hampton Roads executives.
4 course rose wine pairing dinner
Enjoy this guided paint session, creating a fun and vibrant sunset scene!
Aimee Bruce aka HIGHONYOURSUPPLY will lead a step-by-step paint & sip session at Torch Bistro! Painters are free to follow along with instruction or are welcome to flip the script and do their own thing.
All supplies will be provided.
Ages 16+
Painters are welcome to arrive early to find parking, enjoy a drink or the delicious food options that Torch Bistro has to offer and get settled before the session starts. Plus take advantage of Tuesday Happy Hour from 3-close!
Grab a ticket today!
To be fully independent as an artist in this day and age is to know your musical & creative worth; trusting the process and fully believing in your project. For Miami native Kevin Pouya, better known as Pouya, there’s been no hesitation as he’s climbed through the ranks from his humble Soundcloud beginnings to upwards of 3.5 million monthly Spotify listeners, a number that’s consistently growing.
With a devout fanbase and the constant itch to not only make great music, but the love of helping his community and giving back, Pouya is becoming a household name. Ever-expanding through genre defying beats, he’s leaving no stone left unturned as he creates music to be angry to, to get hyped to, to be sad to and every emotion in between – vocally exuding his story & becoming more and more relatable – building and unbreakable bond between him & his fans.
With the success of his previous albums, Underground Underdog, FIVE FIVE and The South’s Got Something to Say, alongside multiple mixtapes with underground veterans Fat Nick & Boobie Lootaveli, multiple international tours under his belt, and working with stars such as Juicy J, The Ying Yang Twins, J.I.D & more – this is truly just the beginning for the young rapper. Be on the lookout for yet another massive album with some big features from the Buffet Boys rapper – Pouya is a name you’ll be remembering.
The right amount of self-applied pressure causes growth.
Through an unwavering dedication to progression, Wage War sharpen their patented hybrid of heavy pit-starting technicality and hummable hypnotic melodies with each subsequent evolution. Look no further than the aptly titled third full-length from the Florida quintet, Pressure [Fearless Records]. The band—Briton Bond [lead vocals], Cody Quistad [rhythm guitar, clean vocals], Seth Blake [lead guitar], Chris Gaylord [bass], and Stephen Kluesener [drums]—drove themselves to fully realize their ambition by personally pushing harder than ever.
“There’s always pressure to make a great album, but we felt it even more so this time around,” explains Cody. “We pushed ourselves to keep this thing moving and growing. The theme was to be as catchy and as heavy as possible. We knew we had to do something people would notice. Ultimately, we tried to deliver a benchmark that says, ‘This is Wage War. This is what we can do.’”
A whirlwind four years set the foundation for such a statement. The group’s 2015 debut, Blueprints, yielded multiple fan favorites with “Alive” cracking 12 million Spotify streams and “The River” exceeding 8 million to date. Meanwhile, 2017’s Deadweight established the boys as a rising force. Totaling nearly 50 million cumulative streams in two years, the single “Stitch” racked up 14 million streams on Spotify as Deadweight received widespread praise from MetalInjection, New Noise, Metal Hammer, and Rock Sound who dubbed it, “a relentless, genre-evolving treat.” Meanwhile, they toured alongside everyone from I Prevail and Of Mice & Men to Parkway Drive and A Day To Remember, logging countless miles on the road.
In order to approach their next evolution from a different angle, Wage War enlisted the talents of producer Drew Fulk (Motionless in White, Lil Peep, IDKHOW) and recorded in Los Angeles for the first time. The locale fostered a spirit of evolution.
“We were all out of our comfort zone, which was really cool,” Cody elaborates. “We couldn’t just go home after the day. We all lived in the same house. It was a great opportunity for us to reconnect. We’d go to shows together, come back, and write at 2am. Los Angeles is inspiring, because there’s a youthful drive and passion. Everyone is there to chase a dream. It gives you a mindset. You talk about going to L.A. to make a record when you’re 13. It was a bucket list thing for us.”
At the top of 2019, they teased out the album with “Low.” Right out of the gate, it leapt past 5 million Spotify streams. Meanwhile, the first single “Who I Am” targets those people who only engage in discussions to spread negativity, as it teeters between a razor-sharp riff, guttural screams, and a sweeping clean refrain, “Don’t forget I’m human. I’ve got the open wounds to prove it. You don’t get to choose it. You don’t know who I am.”
Meanwhile, “Take the Fight” hinges on a gnashing guitar fused to an aggressive pitched intonation by Briton, standing out “as something we’ve never done before.” Cody adds, “It’s a call-to-arms. We have dark songs, but we want to share light in the underlying message. It encourages everyone to stop being ignorant and treat each other better.”
“Grave” highlights Briton’s clean vocals for an entire track, another first, as it dips in and out emotionally charged verses and into an arena-size gang chant punctuated by call-and-response.
“You come to a point of realizing you need to cut ties with toxic individuals in your life,” adds Cody. “You’ve repeatedly given them chances, but they don’t deserve you.”
Illuminating the dynamics of the group, the airy guitar of “Me Against Myself” underlines the biggest and boldest refrain of this body of work as closer “Will We Ever Learn” merges heavenly vocalizations with subtle synths and a thudding groove.
In the end, Pressure elevates Wage War to the next level.
“When you listen to the album, you hopefully get Wage War turned up to ten,” Cody leaves off. “Lyrically, everything is from the heart. Maybe, it gets you through a tough time, pushes you into another day, or gives you the strength to talk to somebody. There’s nothing better.”
BOILER
Through an unwavering dedication to progression, Wage War sharpen their patented hybrid of heavy pit-starting technicality and hummable hypnotic melodies with each subsequent evolution. Look no further than the aptly titled third full-length from the Florida quintet, Pressure [Fearless Records]. The band—Briton Bond [lead vocals], Cody Quistad [rhythm guitar, clean vocals], Seth Blake [lead guitar], Chris Gaylord [bass], and Stephen Kluesener [drums]—drove themselves to fully realize their ambition by pushing harder. A whirlwind four years set the foundation for such a statement. The group’s 2015 debut, Blueprints, yielded multiple fan favorites with “Alive” cracking 12 million Spotify streams and “The River” exceeding 8 million to date. Meanwhile, 2017’s Deadweight established the boys as a rising force. Totaling nearly 50 million cumulative streams in two years, the single “Stitch” racked up 14 million streams on Spotify as Deadweight received widespread praise from MetalInjection, New Noise, Metal Hammer, and Rock Sound who dubbed it, “a relentless, genre-evolving treat.” Meanwhile, they toured alongside everyone from I Prevail and Of Mice & Men to Parkway Drive and A Day To Remember, logging countless miles on the road. In order to approach their next evolution from a different angle, Wage War enlisted the talents of producer Drew Fulk (Motionless in White, Lil Peep, IDKHOW)and recorded in Los Angeles for the first time, delivering a bold body of work.
Ticket Transfer Delay
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LEGAL LANGUAGE FOR VIP PACKAGES All package elements will be rendered invalid if resold. Name changes will be issued at the sole discretion of 237 Global. VIP instructions will be sent via email no later than three days (3) prior to the concert. If you do not receive this email three days (3) prior please email info@237global.com. All packages and contents are non-transferable; no refunds or exchanges; all sales are final. All VIP package items and experiences are subject to change. Please note that the information provided at the time of purchase (e-mail and mailing address) is the same information that will be utilized for individual contact requirements where applicable. 237 Global, the artist, tour, promoter, ticketing company, venue or any other affiliated parties are not responsible for outdated or inaccurate information provided by the consumer at the time of purchase. If you have any questions regarding your VIP package elements, or have not received your package information within three days (3) of the concert date, please email info@237global.com.
To know the vulnerable and candid songs of honestav is to know Av Freeman: a determined, kindred soul who, in the face of unimaginable odds and loss, found himself a breakout hit with 2024’s “I’d Rather Overdose” and a ticket out of rural Missouri. Growing up the youngest of four brothers and a sister, he caught the music bug early: “They all wanted to be rockstars,” Av says. “I was a little kid going and watching my sixteen-year-old brother play screamo shows in bowling alleys and pizza joints. I was hooked. I wanted it bad.”
He split his time between his parents, spending half the month with his mother and half with his dad. “My mom was the worst tweaker ever,” he explains. “She lived in the hood and got arrested multiple times selling meth.” Life with his father was relatively stable, but still not comfortable. “There was no A.C. and no food,” Av says, “but I was going to school and playing sports. Half the month, I was the quarterback, and the other half, I was running around with no socks, smoking cigarettes with the worst kids.”
From the start, Av’s music was a response to tragedy; at age fifteen, Av found his brother dead from suicide. Amid this grief, Av adopted a tough-guy rap persona. He recorded music obsessively, releasing a song a week for over a hundred weeks in a row. “Literally for two years,” he says. “Sometimes I’d drop even more. I’d record four songs in a night and post two of them.” These years of experimentation reveal themselves in Av’s blend of folk and hip-hop, which sees scratchy verses layered over sensitive acoustic guitars.
After graduating high school, Av paid his bills selling weed. “I thought that’s how I was going to live,” he says. “I’d just be a dude that sells weed. I didn’t even think about the rockstar thing.” Then he got hired as a mover. He held that job for four years. “It was a grind, and I stayed up in the studio every night,” he remembers. “I’d go to work at 6:30 AM after being up until 4 AM recording music. It was draining.”
When Av started making jokes on TikTok, he believed he had finally found his way out. The social media platform paid for views, and his videos reached millions and millions of viewers. “At first I thought, ‘I’m about to get rich.’ I quit my job and shit. But I started spending all my money on studio time. I made enough to afford an apartment, but I was living out of my truck.”
But in January of 2024, tragedy struck again. Av’s father committed suicide. On the truck ride home, Av, through tears, wrote a new song documenting his emotions. Rushing to the studio, Av cut the track and uploaded it as had become routine. Almost overnight, “I’d Rather Overdose” exploded, cracking multiple Billboard charts and amassing over 70 million streams globally. The subsequent remix featuring MOD SUN, teased through an open verse challenge on TikTok, peaked at #21 on Alternative Radio. “When my dad died, music turned into therapy for me,” Av says. “I’m not making songs to be cool anymore—this is what I gotta do to get through the day. I’m lucky that people hear it.” Now, following a bidding war between every major label, Av is on track to purchase his first home.
Building on the success of “I’d Rather Overdose,” honestav released his debut EP, “hara-kiri,” on November 9th, which peaked at #10 on Apple Music’s Alternative Charts and garnered over 110 million streams across all platforms. The EP included the lead single, “Hurts To Fall in Love,” which received significant radio airplay success. In 2024, honestav expanded his reach by embarking on a highly successful tour alongside MOD SUN and lovelytheband. His electrifying live performances led to sold-out shows in his hometown of Springfield, Missouri, as well as major cities like New York City and Los Angeles. These achievements underscore his growing fanbase and the widespread appeal of his music. Following the momentum of his debut EP and successful tours, honestav is excited to announce future projects, including his debut solo Midwest “No License Tour” slated for 2025, which promises to bring his heartfelt performances to even more fans across the region. Additionally, fans can look forward to the upcoming release of “hara-kiri Deluxe,” featuring new tracks and the highly anticipated lead single “Growing Pains,” set to drop in February 2025. This new track is poised to resonate deeply with listeners, continuing his trajectory of chart-topping hits and emotional storytelling.
His newest music is rugged and open. honestav belts rhymes about partying and drug addiction, self-loathing and suicide, stifling emotions and trying to open up. “When my brother killed himself, I turned into a punk ass sixteen-year-old,” he says. “When my dad did it, it hit different. It took a different spin. I’m a grown ass man now. If I wasn’t making these songs, I don’t think I’d be alive.” Still, Av is shocked that this intimacy and introspection connected with such a wide audience. “It seems like people actually started to relate more when I stopped making music for everyone else,” he says. “That’s when they really started listening.”
Despite his deep roots in the country, honestav has faced pressures from industry executives and even other artists to lean into familiar tropes of country music. However, Av has a strong sense of identity and remains true to his unique sound. “I grew up in the country, but I wasn’t farming,” he clarifies. “I’m from that, but I’m not that. My homies were farming, but I was riding dirt bikes and busting out windows.” With the success he’s found by trusting his instincts, Av is determined to keep his music close to his heart, blending his background with his alternative influences to create something truly authentic.
With a proven track record of chart success, including “I’d Rather Overdose” reaching multiple Billboard charts and its remix achieving significant radio airplay success, sold-out performances, and a rapidly expanding fanbase, honestav is poised to make a significant impact on the alternative music landscape. His authentic voice and unwavering dedication continue to inspire and connect with listeners around the world.
They say you can’t go home again. After a few years away from the place that raised you, what used to just click no longer seems to fit. Did “home” change? Did you? With emotive vocals and heart-on-sleeve lyrics, alt-pop-rock artist MICO, 23, tackles these coming-of-age queries on his genre-jumping debut LP. When the lights turn on captures the Filipino-Canadian singer and songwriter’s path from bedroom upstart to “internet hometown hero” to whatever comes next. “Last year was crazy,” says MICO (real name Miguel Veloso). He means it both ways. There were incredible highs as he inked a major label deal with Columbia Records, headlined sold-out tours across the U.S. and Europe, and flew out to Los Angeles to record at the home of writer, producer, and pal Mickey Brandolino. But there were lows, too. “I was going through a breakup while only spending about three months at home all year. Every time I went back, things would be exactly the same, but feel so different. I suddenly had this worldview that didn’t align with anyone else’s. That’s why every song on this album is so personal — I was processing it all.” When the lights turn on is a racing collection of hook-driven tracks that pull sticky nostalgia from the best and brightest of 2000s/2010s pop-punk, while mixing in modern and unexpected strains that underscore the manic swings of a career that’s about to go supernova. The tracklist bursts with bittersweet revelations, as on the lead single “DREAMBOY.” The hyperpop-steeped banger evokes PC Music’s bubblegum chaos as MICO sings of trying to date someone he’d met online, only to discover that being seen doesn’t always translate to being understood. “She’d seen a bunch of my stuff on social media, so she had this preconceived image of what I was supposed to be,” he says. “For me to be an actual human really sent things off the rails.” Long before he had his first Canadian radio hit, MICO was a star in his own home. Born and raised in Toronto, he was the fourth of five siblings. His father filled the house with ’80s pop hits by Michael Jackson and The Police, and when guests came over, the family encouraged 6-year-old MICO to hop on the karaoke — he didn’t object. “I never thought about doing anything else in my life, because singing was the thing that was most fun to me,” he says. As a tween, he dove into the brazenly emotional music that would shape his path most — era-defining acts like 5 Seconds of Summer, Fall Out Boy, and The All-American Rejects. When he got his hands on a guitar, he taught himself the chords to their hits by watching their finger placements in music videos. The screen became a two-way conduit as a teenage MICO worked his way into “Discord’s Got Talent” events, hopping between servers and performing cover songs to online communities. As he cultivated a loyal following, MICO pivoted to writing and self-releasing originals, starting with 2019’s “who do you love,” a striking mix of personal vulnerability and musical confidence. After graduating high school in 2020, he used a gap year to start posting songs on TikTok. It was time wisely spent — today, MICO has nearly 1 million loyal “amicos” on the platform. Over a series of EPs leading to his aptly titled Internet hometown hero, which got a 2025 deluxe reissue, MICO found his own path back to his influences, forging an original, pop-infused alternative sound. As MICO’s creativity carried him from URL spaces to IRL stages, his work also grew increasingly personal. Viral bops like 2022’s “cut my hair” found him struggling with maintaining his identity amid romantic ruin, while 2024’s streaming hit “HOMESICK” sets the scene for the disconnect that fuels When the lights turn on. On new song “Like you mean it,” he pleads with a partner to face the facts of their uneven love: “You can’t call it healing, running from a feeling / I can’t be the only good thing that you’ve got / So love me like you mean it, not like you need it.” But on the next track, “Do it all again,” he’s the one chasing a connection that’s doomed to fail. But sometimes the rift gets closed, as on “Your favorite flowers,” which embodies a sweetly teenaged suburban intimacy with its gentle acoustics and story of two best friends working out their feelings for each other amid major life shifts. “There was a brief moment where this friend and I started seeing each other, then everything fizzled out,” MICO says. “We hadn’t talked in a year, and then we reconnected. We didn’t know where we stood anymore, but after having an intense conversation, it felt like at that moment, we had learned how to be true friends again.” At other times, the messiness of youth simply takes over, resulting in glorious sonic mayhem. “WHY ARE YOU HERE” strikingly interlocks contemporary alt-pop with a tinge of feelings-first Y2K rap-rock as MICO tries to make sense of a mixed-message romance. He even drops a few electrifying bars on the explosive bridge before shifting into a yearning, radio-ready chorus. “I really wanted it to feel like you were racing through a room, trying to chase after somebody,” MICO says. “You’re bumping into people, it’s messy, loud, and just generally overwhelming.” With MICO’s career taking off as quickly as the skittering beats that dance through so much of When the lights turn on, it’s understandable that he’s experiencing some whiplash. But, as it turns out, that highly personal tension has resulted in his most exuberant and relatable music to date. “The second you broaden your horizons, everything that you knew feels smaller. It’s hard to find comfort in it again,” says MICO. “But you have to learn how to move forward and become your own person. I just hope that in being honest about it, people can see themselves in that.”
Pick up your instrument, bring your voice and join the Virginia Symphony Orchestra in a celebration of peace, inclusion and unity. This inspiring annual event embraces our community’s cultural richness and diversity, uniting people of all ages, faiths and backgrounds through participation in music, dance and spoken word.
Music will be available for any instrument and voice at any level, so come play and sing with us! Or just come as you are and enjoy the musical talents of your neighbors.
Free and Open to the Public
Program includes: