Cuisine and Cocktails

Mother's Day CookOut

May 16 2026

Mother's Day CookOut
Capt. Slade Cutter Athletic Park 100 Elementary Drive Norfolk, VA 23551, Price: Free- Reserve a spot

Join us for a fun, heartwarming Mother’s Day Celebration filled with love, music, laughs, and special surprises!

Mother's Day Celebration

Come join us for a fun-filled Mother’s Day Celebration in person! It’s a perfect chance to show some love and appreciation to all the amazing moms out there. Expect a warm, cheerful atmosphere with lots of smiles and good vibes. Bring your family and friends, and make this day extra special with us!

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Norfolk Greek Festival 2026

May 14 - May 17 2026

Mother's Day CookOut
Annunciation Greek Orthodox Cathedral 7220 Granby St. Norfolk, VA 23505, (757) 440-0500 Price: Free entry
A Legacy of Faith, Philanthropy, and Community

For generations, the Annunciation Greek Orthodox Cathedral and the Norfolk Greek Festival have been pillars of faith, culture, and service in the Hampton Roads community. More than a celebration of Hellenic heritage, our festival embodies the Orthodox Christian values of philanthropy, hospitality, and love for our neighbor.

At the heart of this tradition is the Cathedral’s unwavering mission to serve not only our parishioners but the entire Norfolk community. Through the Norfolk Greek Festival, we extend this calling, using the blessings of our culture—delicious food, joyful fellowship, and cherished traditions—as a means to give back.

Each year, a significant portion of festival proceeds is dedicated to charitable organizations that uplift those in need, reflecting Christ’s commandment to “love one another.” Whether supporting food banks, shelters, medical initiatives, or educational programs, our contributions aim to bring hope and relief to the most vulnerable in our community.

By attending the Norfolk Greek Festival, you are not only immersing yourself in the richness of Greek culture—you are participating in a mission of faith and service, ensuring that the Annunciation Cathedral continues to be a beacon of light and compassion in Norfolk.

Join us in celebrating our faith, our heritage, and our shared responsibility to care for those in need. Every meal enjoyed, every dance shared, and every moment of fellowship brings us closer to building a stronger, more compassionate community.

Organizations We Support
  • Local and National Charities: Foodbank of SEVA, ForKids, EVMS, CHKD, CHKD Child Abuse Center, Union Mission, Salvation Army, Habitat for Humanity of South Hampton Roads, Lee’s Friends, Samaritan House, St. Mary’s Infant Home

  • Orthodox Christian Ministries: Orthodox Christian Missions (OCMC), Orthodox Christians for Life, Philoptochos Society

  • Youth & Community Programs: Girl Scouts, Edmarc Hospice for Children

Together, through faith and philanthropy, we continue the legacy of Christ’s love and service.

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Arts and Entertainment

Film Break Society: PINK FLOYD AT POMPEII (1972)

April 23 2026

Mother's Day CookOut
Naro Cinema 1507 Colley Ave, Norfolk, VA 23517, Price: $16.00
Pink Floyd blasts through the silent air of ancient Pompeii in the band’s big‑screen debut, a big, booming banger that captures their wild energy and razor‑sharp musicianship as they hit the height of their creativity.
Recorded live on location in an empty amphitheater and shot by Euro‑cinema masters Willy Kurant (a key collaborator of Jean-Luc Godard, Agnes Varda, Orson Welles and others) and Gábor Pogány (a frequent Vittorio De Sica cinematographer), the film pairs the set with visions of smoldering lava, broken statuary, and ruined landscapes, and offers an in‑studio glimpse of the band recording what would become their most famous album, Dark Side of the Moon. (1h 21m)
Beer and wine sales benefit Film Break Society, a non‑profit screening series dedicated to big‑screen presentations of restorations and independent cinema.

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Mallrats at The Naro Saturday, 4/18/26💨

April 18 2026

Mother's Day CookOut
Naro Cinema 1507 Colley Ave, Norfolk, VA 23517, Price: Price may vary
Mallrats is back on the Big Screen again.
Mallrats
Saturday, April 18th at 9:15pm
Part of our 4/20 Weekend💨
When T.S. and Brodie get dumped, they do what anyone would do, head to the mall. But between a chaotic dating game show, revenge plots, and run-ins with unforgettable characters, their day turns into a full-blown misadventure.
Directed by Kevin Smith and starring Jason Lee, Jeremy London, Ben Affleck, Shannen Doherty, and Michael Rooker.
(1995, R, 1h 35m)
One of the most quotable cult comedies of the ‘90s, made for the big screen and a packed crowd.
Custom Poster from Greg Steele
Save time and buy your tickets now at narocinema.com.

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The Jam! Presents: Black Women’s History Month

April 17 2026

Mother's Day CookOut
The Push Comedy Theater 763 Granby Street Norfolk, VA 23510, Price: $15.00
The Jam! Presents: Black Women’s History Month
Happy International Black Women’s History Month
Push Comedy Theatre proudly presents Unscripted & Unbothered: Black, Booked & Brilliant. This is a bold, high-energy variety show celebrating the voices, talent, and impact of Black women on stage. Produced by Lemon Pepper & Sazón Comedy in collaboration with the Push Comedy Theatre Diversity Council, this first-of-its-kind showcase brings together stand-up, improv, and musical performances for a night that is raw, real, and unapologetically us. No scripts. No filters. Just brilliance.
Performances by:
Musical Artists: Rogue Keish, Bri Antoinette & D E L 0 N A
Stand-Up: Diva Hill, Brenae Williams
Plus improv performances from a dynamic lineup of Black women comedians

Come experience a night that’s unscripted, unbothered, and undeniably brilliant.

The “JAM” is a monthly collaboration between the Push Diversity Council and Lemon Pepper & Sazón Comedy, highlighting diversity in improv.

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Opera By Design – Norfolk Gala

April 18 2026

Mother's Day CookOut
Virginia Opera 160 W Virginia Beach Blvd, Norfolk, VA 23510, Price: Ticket pricing may vary
Tickets Available Now!
Harrison Opera House
Norfolk, VA

Saturday, April 18, 2026

Cocktails and Silent Auction
6-7pm

Seated Dinner
Arias and Duets Opera Performance
7-8:30pm

Live Auction and Raise the Paddle
8:30-9pm

Dancing on the Harrison Opera House Stage
9-11pm

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Pigeons Playing Ping Pong at NorVa

April 11 2026

Mother's Day CookOut
The NorVa 317 Monticello Ave, Norfolk, VA 23510, Price: May vary

For Pigeons Playing Ping Pong, music is a living flame—one demanding relentless tending, fresh kindling, and the collective breath of community to sustain it. On their eighth studio album, Feed The Fire ( No Coincidence Records), the Baltimore quartet—Greg Ormont [vocals, guitar], Jeremy Schon [guitar, vocals], Ben Carrey [bass, vocals], and Alex “Gator” Petropulos [drums, vocals]—push their psychedelic funk odyssey into its most expansive incarnation yet. Across 17 years, eight albums, and countless sweat-soaked performances, Pigeons have mastered transformation, deepening their connection with their devoted fanbase and channeling life’s seismic shifts into fuel for their unquenchable fire. “The ‘fire’ represents our passion,” explains Ormont. “Making music feels like something we were born to do. Feed The Fire is the perfect metaphor for our unwavering commitment to keep evolving.” Significant milestones, from headlining major stages to their fan-centric Domefest, underscore their remarkable journey.

Feed The Fire shatters boundaries through adventurous collaboration. The band invited Nashville virtuoso Wes Bailey (Moon Taxi) to co-write the title track’s spiraling guitar hooks—a first for the group. “As soon as I played him the demo, he came up with the soaring lead melody on the spot,” recalls Schon. “It ended up being our first true collaborative writing experience.” In another debut, Ben Carrey steps into the lead vocal spotlight on his heartfelt groove anthem “Hit The Ground Runnin’.” Horn collaborators Here Come The Mummies and West End Blend amplify tracks like “Fantasy” and “Calm Before The Storm,” while guest producer Chalk Dinosaur enhances the psychedelic layers on “Twitch” and “Underworld.”

The band’s relentless evolution is evident in standout tracks like the buoyantly infectious “Right Track,” which distills their live energy into a concise message of resilience and self-trust. According to Schon, “Every album we make is a reflection of where we are personally and musically. For Feed The Fire, we really leaned into exploring textures, pushing our boundaries, and letting the songs guide us.” From the patient disco-funk simmer of “Fantasy” to the driving rebel cry of “Undivided,” the album showcases the band’s sharpened musicianship and rhythmic intuition.

Ultimately, Feed The Fire is more than an album title—it’s a rallying cry emblematic of Pigeons Playing Ping Pong’s enduring philosophy. Refreshingly dynamic, powerfully resonant, and irresistibly danceable, it marks a milestone release poised to captivate listeners across genres. Ormont sums it up perfectly: “We’ve been given the gift of this fire, this passion. So it’s our responsibility to nurture it, embrace it, and spread it wild. Because when the band and fans reach new heights together, that’s the real spark.”

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Behemoth: The Godless IV 2026

April 28 2026

Mother's Day CookOut
The NorVa 317 Monticello Ave, Norfolk, VA 23510, Price: Price may vary
In the annals of metal    there is no band more synonymous with an unswerving commitment to the single-minded defiance of expectation than Behemoth. Over the course of their remarkable 31-year career, these Polish hellraisers – spearheaded by Adam Darski, aka Nergal – are more than just the architects of their country’s legendary extreme metal scene. Over the course of three decades and previous 11 albums, Nergal’s singular vision has forged Behemoth into something far more than a mere black metal band. Beyond any confines of genre, they have grown to become nothing less than the personification of rebellion, individuality and unflinching self-expression informed by a literate worldview and worldliness that’s resulted in a locking of horns with everything from the mainstream press to the Polish Catholic church – most notably manifesting in Nergal’s trial for blasphemy in 2010 that only served to expose the deep-seated hypocrisies that his music seeks to challenge. It also highlighted the distinct lack of fucks that he has to give.
Now world-renowned and yet exuberantly underground in their convictions, Behemoth are perhaps the unlikeliest of success stories, but if their stratospheric ascent and hard-won commercial achievement can be attributed to anything, it’s a cast-iron unwillingness to compromise. As Opvs Contra Natvram, their 12th studio release heralds from the rooftops – their longevity is down to a resolute commitment to find new ways to enthrall and inspire their ever-growing legion of latter-day heretics, a determination which shows no signs of erosion. It’s changing times and new battles to fight to which Nergal attributes Behemoth’s unique ability to sound fresh despite their incredible tenure. Therein lies the inspiration for the album’s title and striking cover artwork.
“The album title means going against the current. It’s the negative of the values and morals and ethics that I stand against. I’ve seriously been wrestling with destructive tendencies in pop culture – cancel culture, social media, and tools which I feel are very dangerous weapons in the hands of people who are not competent to judge others. That’s something which I find very destructive and disturbing and extremely limiting coming from an artists’ perspective. This is my middle finger to that. There’s a song on the record called Neo-Spartacvs. Spartacus was one of the most iconic rebels in history who went against the most powerful empire of all time. In the end it’s me screaming, ‘I Am Spartacus, and so are you!’ I want to spark that flame of rebellion. If something seems wrong then stand up to it!”
Never being fully satisfied and never getting comfortable is the basis of the ferocious sounds to be found on Opvs…, too, and as Nergal explains, our viral armageddon afforded him the perfect opportunity to luxuriate in the one thing that Behemoth’s growing empire has never afforded him – time.
“This is the most thoughtful, the most thought-through, the most mature thing we’ve done – it’s quintessentially Behemoth” he says. “It’s just bangers – all meat, no fat.”
Renowned for his meticulous attention to detail and absolute creative control of Behemoth’s world, the depressurised environment afforded by the pandemic meant that for nearly the first time since the band’s inception there was no deadline to observe, allowing for a nearly unprecedented level of attention to the process of writing and recording.
“To me it’s one blurry year, but we’d do these sessions, four five days on just one guitar part, re-record the stuff, go back – that was amazing. Like everyone on the planet, I’ve found myself in a completely unprecedented situation – this paralysis. I haven’t had that much time since I was hospitalized for cancer,” he says, referring to his bout with leukemia in 2010. Of the time leading up to the creation of Opvs, he says: “I’d just come off this massive arena tour with Slipknot which was a big success for us, but I was so worn out and I was calling out to the universe for a remedy. It was something I really needed – to take my time, just breathing and surviving. It felt good. I haven’t done that since ancient times. When you’re a professional musician you’re just living by touring cycles. To be like, ‘this is a good word, let me try 50 others.’ To be fully absorbed into that process. I needed that.”
The 10 chapters of fury that make up Opvs Contra Natvram were written and recorded over the course of a very strange year for the world, a situation which only heightened the level of craft seen in these 43 minutes and 15 seconds of honed, searing wrath. As with previous studio outings, Opvs… was produced by Behemoth with engineering duties undertaken by acclaimed Meshuggah, Dimmu Borgir and In Flames producer Daniel Bergstrand. Mixing, however, involved a new player on the chessboard who you’d be hard-pressed to guess – famed producer and mixer Joe Barresi, a studio legend with a breathtaking credits list which includes Queens of the Stone Age, Nine Inch Nails, Alice in Chains and Tool just to name a few. He was chosen for his celebrated ability to simultaneously preserve a studio recording’s organic feel and identity, and the inspiration for the decision comes from a place you’d least expect.
“So much sounds flat,” says Nergal. “it’s not about how professional you sound, because everything sounds professional and overproduced these days, but you don’t need to make everything perfect – just let it breathe. When you listen to David Bowie, every song has identity – I asked, ‘does the scene really need another album that sounds like everything else?’ Every record I’ve made is me standing in front of motherfucking Mount Everest. Do I make it? Well I have to try.”
And from the sound of Opvs… there is no doubting the artistic summit that Nergal and Behemoth are aiming for. From the colossal energy of opener Post-God Nirvana to the epic and righteous indignation of Ov My Herculean Exile and album-closer Versvs Christvs – a riveting extended track featuring piano and clean vocals which are destined to turn heads, Behemoth’s latest is the ultimate soundtrack to these strange and troubled times.

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SILVERSTEIN+ STORY OF THE YEAR AT THE NORVA

July 15 2026

Mother's Day CookOut
The NorVa 317 Monticello Ave, Norfolk, VA 23510, Price: Price may vary

Few bands on their 22nd lap around the scene could claim to be in “just getting started” mode as much as punk stalwarts Silverstein.

The release of their tenth studio album, Misery Made Me, finds the group spring boarding off the heights they’ve reached over the past handful of years; their latest album (2020’s A Beautiful Place To Drown) adding 80 Million streams to a mind-numbing career total of 500 Million; it collecting a nomination for Rock Album Of The Year at the esteemed Juno Awards; and its most recent headliner selling out nearly every date in elite rooms.

In bringing Misery Made Me to life Silverstein have continued to build on their already-wide reaching impact. Immersing themselves in new technologies like TikTok, Discord, NFTs, the metaverse and Twitch (even holding public writing sessions with fans over the latter) during its formation, the band have confirmed their unique ability to adapt and connect in all cycles of their career.

Interestingly, amid all the positivity and connectivity injected into its creation there comes a dark set of themes underpinning the album, as its title might suggest. Inspired by the past two years, Misery Made Me is a depiction of Silverstein – and world at large’s – collective turmoil, frustration, and anxiety.

“I wanted to explore the meaning of ‘Misery’ as a main theme throughout the album,” says vocalist Shane Told. “Despite the mountains climbed and boulders pushed during recent years, we were confronted by the weight and misery of staying relatively in the same place for a long period of time. Finding peace in the reality of this misery became important. The record is about the acceptance of a new reality and adapting to it.”

Ultimately, Misery Made Me finds the band trying to navigate the ever-worsening challenges of our modern world – angst, doomscrolling, and disassociation. It’s a record that is a product of the moment in time in which it was created yet doesn’t feel like it will date itself anytime soon, as many of its topics of loneliness, anxiety and isolation are eternal human struggles.

Exemplified by the anthemic opener ‘Our Song’, Misery Made Me is part acceptance of the band’s personal miseries, and part declaration that they will not be buried by them. At the back end of the record lies ‘Live Like This’ (ft. nothing,nowhere.) and arguably its most bleak and haunting lyric: “I don’t want to die, but I can’t live like this.”

Singles ‘It’s Over’ and ‘Ultraviolet’ dive deeper into this feeling of desperation, describing the utter helplessness of losing control to anxiety.

“’It’s Over’ is about the spiral that leads to giving up,” shares guitarist Paul Marc Rousseau. “Those anxiety packed hours when you can’t feel anything but the low, steady crescendo of panic that eventually gets so intense your fingertips lose sensation. It’s hopeless to feel but pointless to endure. I didn’t learn anything from feeling that way. I just wanted it to stop.”

“’Ultraviolet’ is about feeling powerless and under the control of the chemicals in your brain,” he adds. “Ultraviolet light itself being invisible felt like the right way to describe this notion. To get lost in this unseeable thing. UV also causes physical damage to our skin, so it serves as a sort of ‘proof’ that something invisible like anxiety can hurt us.”

Filled with moments of relentless energy throwing back to their hardcore roots (‘Die Alone’ ft. Andrew Neufeld), to visionary moments of modern heavy (‘The Altar / Mary’), Misery Made Me fastens Silverstein’s status as torchbearers of the scene on all fronts.

It’s both intriguing and inspiring that a band – who could have merely rested on the impressive legacy they’ve already cemented – would continue to dig deep and find the inspiration to reach people in meaningful new ways. Misery Made Me is a campaign hinged on Silverstein’s reflection and gratitude for their roots, their honouring of their earliest fans, and their staunch desire to explore forward-thinking and adventurous ways to connect with new ones.

Misery Made Me is out May 6 via UNFD.

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How to Start a Nonprofit

April 11 2026

Mother's Day CookOut
Tidewater Community College-Virtual Make sure to register!, Price: Tuition: $35.00

Thinking about starting a nonprofit—but not sure where to begin?

Tidewater Community College’s upcoming How to Start a Nonprofit workshop on Saturday, 4/11 is a virtual offering. Join from the comfort of your home!

This session walks participants through the key steps from idea to compliance, helping aspiring founders understand what it really takes to launch a sustainable nonprofit organization—and whether or not they should.

We’ll cover everything from early research and board development to filing and compliance—using a clear, practical framework you see reflected in the graphic below.

This workshop is ideal for:
✔ Aspiring nonprofit founders
✔ Community leaders exploring a new idea
✔ Board members supporting a startup organization

Join us to move from passion to plan—and set your organization up for success.

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