The Essence of Heart & Soul Festival Celebrates Black history and culture through many forms of art. Join us Saturday, Feb. 4 from 1-5 PM.
The Essence of Heart & Soul Festival Celebrates Black history and culture through many forms of art. Join us Saturday, Feb. 4 from 1-5 PM.
Join us for a book talk with Author Robert D. Gaines on his latest book, “Heidelberg of the Norfolk 17,” as told by Andrew Heidelberg.
About this Event
The Slover Library Foundation presents a Black History Month event with Author Robert D. Gaines. Join us on Thursday, February 2, from 5:30-7:30 PM in Room 650 for a book talk and signing.
Gaines will discuss his latest book, “Heidelberg of the Norfolk 17,” as told by Andrew Heidelberg, which recounts the experience of Heidelberg, one of the first Black students to integrate Norview High School in 1959. Despite heavy backlash, Heidelberg joined the Norview football team his senior year and is said to have been the first Black student to play varsity football at an all-white public school in the South.
The event is free and open to the public. Guests will enjoy a cash bar and heavy hors d’oeuvres.
Join Norfolk Tour Company along the Downtown Norfolk waterfront as we explore the intricate history of African Americans and slavery in Norfolk. This walking tour will in part cover Norfolk’s role in the slave trade, along with some of the historic moments, heroes, and sites of the pivotal history of the African American experience in South Hampton Roads.
The tour will last about 90 minutes.
After the tour, we will head over to Capo Capo for some networking.
Transit Equity Day is a National Day of Action that commemorates the importance of investing in public transit for the benefit of all citizens. It also coincides with the birthday of civil rights icon and public transit rider Rosa Parks, which is on February 4.
In honor of Transit Equity Day, on Friday, February 3, Hampton Roads Transit will provide free rides, available on all bus, light rail, ferry, paratransit and microtransit services.
Bus headlights will remain on all day to symbolize the light Rosa Parks provided to our world and each bus will have a reserved front seat with notated signage, in honor of her courageous act in helping to make transit more equitable for all.
NOPE (2022) – Dir. Jordan Peele – A man and his sister discover something sinister in the skies above their California horse ranch, while the owner of a nearby theme park tries to profit from the mysterious, otherworldly phenomenon.
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NARO MINDED – Naro Expanded Video’s regular series of free public screenings will commandeer the artificial skies of ODU’s magnificent Lê Planetarium dome with cult favorites and new releases wreathed in stars.
Father John Misty’s Pure Comedy is the highly anticipated follow-up to his internationally acclaimed album, I Love You, Honeybear. The album was released April 7th on Deluxe 2xLP / 2xLP / CD / DL / CS in Europe through Bella Union and the rest of the world from Sub Pop. Pure Comedy highlights include the title track alongside standouts “Leaving LA,” “Total Entertainment Forever,” “Ballad of the Dying Man,” “When The God Of Love Returns There’ll Be Hell To Pay” and “Things It Would Have Been Helpful to Know Before The Revolution”.
Tillman wrote the majority of Pure Comedy throughout 2015 and recorded all the basic tracking and vocals live to tape (in no more than two takes each) at United Studios (fka the legendary Ocean Way Studios, favored by Frank Sinatra and The Beach Boys) in Los Angeles March 2016.
Pure Comedy was co-produced once again by Josh Tillman and long-time producer Jonathan Wilson; mixed by Tillman, Wilson and Trevor Spencer, and mastered by Bob Ludwig at Gateway Mastering Studios. The album features string, horn and choral arrangements from classical iconoclast Gavin Bryars (Jesus Blood Never Failed Me Yet, Sinking Of The Titanic), with additional contributions from Nico Muhly and Thomas Bartlett.
Since 2012, Father John Misty aka Josh Tillman has unexpectedly emerged as a singular (if not undeniably, um, idiosyncratic) voice. Whether by virtue of his lyrics, which routinely defy the presumed polarities of wit and empathy; his live performances which may perhaps be described best as “intimately berzerk,” or the infuriating line he seems to occupy between canny and total fraud online or in interviews, Father John Misty has cultivated a rare space for himself in the musical landscape – that of a real enigma. Pure Comedy sees Tillman at the height of these powers: as a lyricist, and equally so a cultural observer – at times bordering on freakishly prescient. Tillman’s bent critiques, bared humanity and gently warped classic songwriting are all here in equal measure and – at 75 minutes – there’s a veritable fuck ton of it. The album navigates themes of progress, technology, fame, the environment, politics, aging, social media, human nature, human connection and his own role in it all with his usual candor, and in terms as timely as they are timeless.